Current Faculty

Zamansele Nsele

Assistant Professor
Modern and Contemporary African & African Diasporic Art

Zamansele Nsele is Assistant Professor of Modern and Contemporary African & African
Diasporic Art. She is currently working on her first monograph, provisionally titled, “Reckoning
with Post-Apartheid & Imperialist Nostalgias in Archival Art Practice in Africa”. In the
monograph, Zamansele Nsele explores how nostalgia can generate visual epistemologies that
sanitize, disavow, and aestheticize oppressive racial histories— despite nostalgia’s conventional
significance as an affective structure that affirms Black social life. One of the central themes that
is...

Todd Olson

Professor
Early Modern Art

Todd Olson is the author of Poussin and France: Painting, Humanism and the Politics of Style (Yale University Press, 2002) and Caravaggio’s Pitiful Relics (Yale University Press, 2014). His fields of research and teaching include early modern Europe, colonial Latin America, and the trans-Atlantic world. His main areas of interest are class and sexuality in visual representation, transcultural materiality, history of art criticism and theory, and the politics of collecting. He has two books in progress: Survivals: The Migration and Transmission of Graphic Media in...

Lisa Pieraccini

Continuing Lecturer
The Material Culture of the Ancient Mediterranean, Etruscan and Roman Art

Lisa C. Pieraccini works on the material culture of the ancient Mediterranean with special emphasis on ancient Italy. She taught and conducted research in Rome and southern Etruria for several years. Her interests in ancient Mediterranean art reflect global and cross disciplinary approaches to understanding the past. Issues related to decolonization and indigeneity as well as reception studies, digital humanities, cultural heritage and antiquity in film are just some of the subjects explored in her courses. Dr. Pieraccini has published a variety of articles and book chapters on a wide...

Sugata Ray

Associate Professor
South and Southeast Asian Art

Trained in both history (Presidency College; Centre for Studies in Social Sciences, Calcutta) and art history (Maharaja Sayajirao University, Baroda; University of Minnesota), Sugata Ray’s research is on post-1400s art and architecture in South Asia with a focus on climate change and the environment, postcolonial geophilosophy, and posthumanist thought before colonial modernity. His first book Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550–...