Rizvana Bradley is a scholar of cinema and media studies, and contemporary art, with a specific interest in the development of the moving image, and art installation. Her forthcoming book manuscript is a recipient of a Creative Capital | Andy Warhol Foundation Arts Writers Grant, and offers a critical examination of the histories and forms of racialized embodiment that move through a range of experimental artistic practices, which integrate film and other media. Bradley’s scholarly approach to artistic practices and cultural production within the wider black diaspora expands...
I am an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. I am currently completing my first book titled Crude: The Art of Living in the Terracene, that considers the emergence of the Anthropocene as a new geological era in relation to the concurrent declaration of the War on Terror in the early 2000s. Playing on the words “terror” and “terra,” I propose the term “Terracene” in order to...
Andy Shanken is an architectural and urban historian with an interest in how cultural constructions of memory shape the built environment (and vice versa). He also works on the unbuilt and paper architecture, themed landscapes, heritage and conservation planning; traditions of representation in twentieth-century architecture and planning; keywords in architecture and American culture; and consumer culture and architecture. He is interested in historiography, particularly of architectural history, and the intersection of popular culture and architecture. Since this is too much for one...
My research is concerned with the history and present of artistic authorship, with a focus on interactions between China and the West. My theoretical interests revolve around the critical distinctions of high and low, true and fake, art and commodity, originality and imitation, and, conceptual and manual labor, and thus my work focuses on objects and practices at the boundary of these categories. My first book, Van Gogh on Demand: China and the Readymade (University of Chicago...