Bio/CV:
Bellara Huang (2025) studies artistic production in Soviet and post-Soviet time and space, with interest in the digital expressive modes of photography, video art, and new media. In particular, Bellara’s research examines the multiplicitous conditions that define(d) artmaking in Central Asia: from the collapsing sensorium of Soviet empire to the histories of representing nomadic indigeneity. Bellara received a BA in Art History and Computer Science from Swarthmore College and an MA in History of Art from the Courtauld Institute of Art; before starting PhD studies, Bellara supported exhibitions as a curatorial assistant at the Solomon R. Guggenheim Museum.
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