Bio/CV:
Francisco del Rosario (2025) studies architecture, artifact, and image in the turning of land surface into conspicuous entity. With Manila as archive, he gives special thought to how early modern makers engaged artistic, civic, and theological views for simultaneously charging matter with appearance, pushing fellow life into their surroundings, and systematizing the nature of consciousness in Spain’s capital in the western Pacific. His interests build on research about printing and painting’s modernisms published in Impact, Southeast of Now, and Miradas. For the study of art and languages, he attended the Universidad Nacional Autónoma de México, the Humboldt-Universität zu Berlin, and the University of the Philippines.
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