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What will art history look like in the wake of 2020? How must our work as historians of art change in order to meet the compounding pressures of a global pandemic, an escalating climate crisis, and widespread civil unrest? How do we build an art history that looks beyond the discipline’s current horizons—that is expansive, sustainable, and ethical?

Departures, Deviations, Detours is a series of conversations meant to address these urgent and timely questions. Departing from the traditional lecture format, we invite open dialogue with scholars, artists, and activists whose work challenges normative assumptions in the disciplines of art history and visual cultural studies to expand our thinking and open new avenues for critical discussion. In staging these welcome interventions into the field, we hope to build from the present crises a more equitable domain for collaborative study.

February 26th, 4:30 PM PST: K. Wayne Yang (Ethnic Studies, UC San Diego) and Carolyn Jean Martin (Art History, Berkeley City College)

Supported by the Stoddard Fund in the History of Art Department, U.C. Berkeley