TAG CLOUDAaron Hyman Acknowledgments aesthetics Alan Tansman Aleksandr Rossman Alexandra Courtois American art Ancient art Andrew Griebeler Andrew Sears Andrew Stewart Anne Wagner Anneka Lenssen anthropology archaeology archives art criticism Art Practice Asian art astrolabes Atreyee Gupta Australian Academy of the Humanities award awards BAMPFA Bancroft Library Beate Fricke Berkeley Art Museum Bonnie Wade British art bronze statuary Byzantium Caravaggio CASVA Catherine Telfair Chair Charles O'Donnell chartalism Chinese art Chinese art history Chinese painting Chris Hallett Christopher Bollas College Art Association Commencement conference Contemporary Art courses Courtauld Institute curatorial preparedness Darcy Grimaldo Grigsby De Young Museum digital humanities Diliana Angelova DIstinguished Teacher of Art History Distinguished Teaching Award Dutch art Dutch Studies early globalism Early Modern Ecohistory ecological history economics Elaine Yau Elizabeth McFadden Emma Silverman Endowed Chair faculty faculty recruitment fellowships Finbarr Barry Flood Florence folklore Frederick Douglass Freie Universität Fulbright Gabriella Wellons George Lurcy Fellowship Gerhard Wolf Glenn Adamson global art global modern art Grace Harpster graduate graduate student instructor awards Graduate Student Instructors graduate student support graduate students Graduation Greek art Hearst Museum Hellenistic art history of science honors Imogen Hart India Indian Art Islamic art Ittleson Fellowship James Cahill Jason Hosford Jessica Flores Jessy Bell Jordan Rose Jordan Ross Julia Bryan-Wilson Justin Underhill Kailani Polzak Kappy Mintie Katherine Mintie Kathryn Wayne King's College London Kunsthistorisches Institut L. S. Lowry Latin American art history Laure Marest-Caffey Lauren Kroiz librarians Lisa Trever Louvre major Manet Margaretta Lovell material culture Matilde Andrews Medieval Art Mellon Fellowship Mellon Foundation Methods Micki McCoy Miriam Said modern art money Monuments Men museum New York Nike of Samothrace object-based learning object-oriented histories Oxford University Panorama Patricia Berger Peru Peter Selz photography Post-Culturalist Pre-Columbian psychoanalysis publications Ramon de Santiago Reading and Composition Renaissance Rumble Lecture Ryan Serpa San Francisco Sarah Cowan sculpture slavery Smithsonian Sojourner Truth South Asia staff Stephanie Pearson Stoddard Lecture Sugata Ray summer sessions T.J. Clark Tate Britain teaching team-teaching Theory Todd Olson Townsend Center undergraduate undergraduates Verenice Ramirez Visual Resources Center VRA VRC Wenner Gren Foundation Whitney Davis Will Coleman William Ma Wyeth Foundation Yanis Varoufakis
Lowry and the Painting of Modern Life, curated by the American art historian Anne Wagner and her British husband T.J. Clark, is the most radical and exciting re-evaluation of a British artist I have ever encountered, and a thrilling display of how paint conveys ideas, time, place, building a self-contained world at once absorbing and convincing in its relation to lived experience. So, more or less (I have tinkered with it only a bit), began Jackie Wullschlager’s review of the Lowry exhibition (until 20 October) in the Financial Times. I was planning to begin with a similar bang myself, but as she went off first I just add my full endorsement.
Students, faculty, staff, and families and friends came together on September 8 at the home of Todd Olson and Darcy Grimaldo Grigsby for a gathering to celebrate the beginning of the fall semester. We are so lucky to be in this beautiful place with all these wonderful new people! And it's a matter of record that History of Art does the best potlucks around; the food, as usual, was magnificent. Happy New School Year!
For more photos of the event, see https://berkeley.box.com/s/q759o6cbx2opqm7iu6m4
Welcome to Lauren Kroiz and Lisa Trever, who joined the faculty this fall. Professor Kroiz is a specialist in 19th and 20th century American art and visual culture. Professor Trever is a Pre-Columbianist focusing on the ancient Andes—specifically the Moche of Peru—with expertise also in ancient Mesoamerica and strong interests in Latin American art history. The Department is also searching for an Assistant Professor of Global Modern Art.
UNDERGRADUATES WHO BECAME ART HISTORY LIBRARIANS
by Kathryn Wayne
As the Head of the Art History/Classics Library, one of the most enjoyable aspects of my job is to interact with a strong and diverse group of students and faculty. Over the years, I have had several opportunities to mentor students who were interested in pursuing the field of art librarianship. In this column, I am pleased to highlight two History of Art undergraduates, Barbara Rominski (1999) and Alex Watkins (2007). Please read on for their inspiring stories.
BARBARA ROMINSKI (History of Art BA1999)
UC Berkeley was an obvious choice when I decided to pursue my undergraduate degree, studying both art and archaeology, from Greek and Roman studies to the Northern Renaissance and Asian arts. In 1998, I had the privilege of serving as an undergraduate representative on a committee for a proposed new Visual Arts Library, chaired by Fine Arts Librarian Kathryn Wayne. She was the person who also helped guide me to my next degree—a Master’s in Library Science—when she counseled, “you love art, you love books and libraries, why not become an art librarian?”
While earning my degree at San Jose State University, I had the good fortune to serve as the Achenbach Graphic Arts Council (AGAC) Fellow, where I worked with the Reva and David Logan Illustrated Book Collection. After the fellowship, I stayed on as a project liaison with the Anderson Graphic Art Collection, giving me an introduction to Hunk and Moo Anderson, private collectors in the Bay Area. Later, Hunk Anderson hired me to help manage and tour his private collection of art and to assist with his foundation.
In 2003, I was hired as the Head of the San Francisco Museum of Modern Art’s Research Library. As SFMOMA’s third librarian, I have established the SFMOMA Institutional Archives and Institutional Records Management Program. Looking forward, I am excited to design and shape SFMOMA’s new library in our Snøhetta expansion. Art librarianship has, most assuredly, been a rich and rewarding career!
ALEXANDER C. WATKINS (History of Art BA 2008)
When I saw Fine Arts Librarian Kathryn Wayne at a recent Art Libraries Society of North America conference, I was brought back to how I got on the path to becoming an art librarian. When I began as an undergraduate at Berkeley, I wasn't much of a researcher, until I took Professor Elizabeth Honig’s Gender and Representation class, where Kathryn led a research seminar. Her enthusiasm really opened my eyes to the value of good research and the unlimited potential that Berkeley's world-class library represented. Doe Library became like a second home, as I spent countless hours there, working for ILL, working on my assignments, and working as a research assistant for HA professors.
After graduating I worked in a public library and then decided to go to Pratt Institute where I was able to get a dual Master’s Degree in both art history and library science. Living in New York City had great advantages as I was able to study and work at some of the best museums and libraries in the country (Met, Columbia, New York Public Library). In July 2012, I was pleased to be hired as Assistant Professor and Art & Architecture Librarian at the University of Colorado Boulder where I work closely with the Program in Environmental Design and the Department of Art & Art History. I love my job, and, like Kathryn, I now get to teach classes on research methods, consult on research projects, and develop the collection of books, journals, and databases.
Mellon Initiative for Graduate Study in Curatorial Preparedness and Object-Based Learning
Graduate students in History of Art at Berkeley have the option of participating in a three-year pilot program sponsored by the Mellon Foundation supplementing academic training with curatorial skills. Starting in the fall of 2013, graduate seminars will have more museum, collection, and site visits, and a new course will be offered on object analysis in museum conservation studios and sites of production. Students will also have the opportunity to help produce an exhibition using Berkeley’s far-ranging object collections. Additionally, each semester an advanced graduate student will have the opportunity to intern in a collection rich in the materials that form the focus of his or her special expertise. In Fall 2013 William Ma will be at the Peabody-Essex Museum in Salem, Massachusetts. In Spring 2014 Laure Marest-Caffey will be at the Museum of Fine Arts in Boston, serving as Curatorial Intern. She will be working on exhibition, acquisition, and research projects in the Department of Art of the Ancient World, Classical Section, as well as studying the MFA's remarkable collection of Hellenistic portrait gems, which are the focus of her dissertation. The purpose of the Mellon initiative is to give students greater flexibility in career direction, and to enrich their art historical research with knowledge of materials and workmanship, with stronger links to museum collections and staff, and with a broader intellectual toolbox.
Image credit: Greek, Hellenistic Period, 2nd-1st century B.C, garnet, H: 27 mm, Francis Bartlett Donation of 1912, Museum of Fine Arts, Boston
Congratulations to three History of Art graduate students, Kappy Mintie, Stephanie Pearson, and Elaine Yau who won Outstanding Graduate Student Instructor Awards for teaching in 2012.
Congratulations to Julia Bryan-Wilson, who received the 2013 Art Journal Award for her essay Invisible Products.
Congratulations to Darcy Grimaldo Grigsby, a 2013 recipient of the Distinguished Teaching Award. The Distinguished Teaching Award is the campus's most prestigious honor for teaching.
Congratulations to Professor Darcy Grimaldo Grigsby on the publication of her new book, Colossal: Engineering Modernity - Suez Canal, Statue of Liberty, Eiffel Tower, and Panama Canal, by Periscope Press.