 |
home |
faculty | Hallett
FACULTY
| |
| |
| BIO
Chris Hallett received his training in Classical
Archaeology at Bristol University and Lincoln College,
Oxford. He completed his doctorate, in Ancient History
and Mediterranean Archaeology, at the University of
California at Berkeley. From 1993-2001 he taught in
the Division of Art History at the University of Washington,
Seattle, returning to Berkeley in 2002 to take up
a joint appointment in the departments of Classics
and History of Art. He is the recipient of a Rome
Prize from the American Academy in Rome (1995-96),
and in 1997-98 he was awarded a Humboldt Fellowship
to work with Paul Zanker at the Institut für
klassische Archäologie in Munich.
Professor Hallett specializes in Roman art, particularly
sculpture, and has written a book on Roman portraiture
entitled The Roman Nude: Heroic Portrait Statuary
200 B.C.–300 A.D. His interests include:
Hellenistic and Roman Egypt; the collecting of Greek
art by the Roman elite; and the role of the luxury
villa in Roman culture. He is currently working on
a book on the visual culture of the late Republic
and the early Empire and its relationship to earlier
Greek art. Recent graduate seminars he has taught
include: Ancient Portraiture—the Egyptian, Greek
and Roman traditions; The Roman Villa; and Roman Sarcophagi.
In Spring 2006 he will offer a seminar on Text and
Image in Hellenistic and Roman Egypt (to be jointly
taught with Todd Hickey of the Classics Department).
Hallett has participated in archaeological fieldwork
in Israel (at Tel Dor), in Turkey (at Balboura in
northern Lycia), and in Egypt (he also trained as
an Egyptologist at Berkeley, and in 1989 worked as
an epigrapher for the Giza Mastaba Project). Since
1991 he has worked at New York University’s
excavations at Aphrodisias in south western Turkey,
where he is collaborating with R.R.R. Smith in the
publication of all the portrait sculpture from the
site, and is publishing the sculpture from the city’s
Bouleuterion (Council House).
|
| |
SELECTED
PUBLICATIONS
‘The origins of the Classical style in
sculpture’, Journal of Hellenic Studies
106 (1986) 71–84 ‘The East Tomb
at Balboura’, Anatolian Studies 43 (1993)
41–63 ‘Kopienkritik and
the works of Polykleitos’ in Polykleitos:
the Doryphoros and Tradition, ed. W. Moon (Madison
1995) 121-60 ‘A Group of Portraits from
the Civic Center at Aphrodisias’, American
Journal of Archaeology 102 (1998) 59-89
‘The Ancient Paradigms: Augustus to Mussolini’,
in The Oxford Illustrated History of Western Art,
ed. Martin Kemp (Oxford 2000) 64-67, figs. 80-85
Review: M. Bergmann, Die Strahlen der Herrscher:
theomorphes Herrscherbild und politische Symbolik im
Hellenismus und in der römischen Kaiserzeit
(Mainz 1998), Journal of Roman Studies (2000) 228
Review: K. Fittschen, Prinzenbildnisse Antoninischer
Zeit (Mainz 1999), Classical Review (2001)
364-65 ‘The Romanization of Late Hellenistic
Sculpture’, Journal of Roman Archaeology
15 (2002) 393-96: review of: M. Fuchs, In hoc etiam
genere Graeciae nihil cedamus: Studien zur Romanisierung
der späthellenistischen Kunst im 1. Jh. v. Ch.
(Mainz 1999) 393-6
Review: D. Boschung, Gens Augusta: Untersuchungen
zu Aufstellung, Wirkung und Bedeutung der Statuengruppen
des Julisch-Claudischen Kaiserhauses, Monumenta Artis
Romanae 32 (Mainz 2002), Gnomon (2004)
437-45 “Technical Advance and Artistic
Decline? A History of Roman Bronzeworking”, Journal
of Roman Archaeology 15 (2004) 487-501: review
of: G. Lahusen, E. Formigli, Römische Bildnisse
aus Bronze (Mainz 2002)
Review: P. Zanker, B. Ch. Ewald, Mit Mythen Leben:
die Bilderwelt der römischen Sarkophage (Munich
2004), Art Bulletin (2005) The
Roman Nude: Heroic Portrait Statuary 200 BC–AD
300 (Oxford University Press 2005)
|
|
Copyright © 2005 History of Art, University of
California, Berkeley
|
|