Events

Stoddard Lecture Series

The Mary C. Stoddard Lecture Fund was established in 2002 with a bequest of Mary Stoddard to provide a visiting lectureship in the history of art, with a focus on decorative arts, Islamic arts, and the history of textiles. Mary C. Stoddard received her B.A. in the History of Art from the College of Letters and Science at the University of California, Berkeley, in 1947.

 

  • Stoddard Lecture Spring 2019

    Until 7:00 pm | 03/19/2019

    Thelma K. Thomas

    The Department is pleased to announce that Thelma K. Thomas, New York University Institute of Fine Arts, will be the Stoddard Lecturer in spring 2019. Please check this page again for details. (Please note that the time is tentative.)

  • Stoddard Seminar Spring 2019

    Until 2:00 pm | 03/20/2019

    Thelma K. Thomas

    The Department is pleased to announce that Thelma K. Thomas, New York University Institute of Fine Arts, will present the Stoddard Seminar in spring 2019. Attendance is open to UC Berkeley History of Art Department students, faculty, staff, and invited guests. Please check this page again for more details.  

  • Marble Lion, Vatican Museum

    Azarpay Lecture 2018--Luxury in Rome: Marble, Color, Context, Ideology

    Until 7:00 pm | 04/17/2018

    Rolf Schneider, Professor Emeritus, Ludwig Maximilians University, Munich and Guitty Azarpay Distinguished Visiting Professor, UC Berkeley

    Presented by the Guitty Azarpay Foundation and the UC Berkeley History of Art Stoddard Lecture Series.

    Light refreshments will be served.

  • Eleousa: Weighing the Quality of Mercy in a Marian Epithet

    Until 7:00 pm | 04/11/2018

    Annemarie Weyl Carr
    University Distinguished Professor of Art History Emerita
    Southern Methodist University

    This event is a Stoddard Lecture Series Presentation.

  • Stoddard Lecture Spring 2018

    Elissa Auther, Visiting Associate Professor and Windgate Research and Collections Curator, Museum of Arts and Design, Bard Graduate Center.

    Textile Narratives: Andean Hand Weaving and the Rise of Modern Fiber Art
    Artists central to the fiber art movement in the U.S. in the 1960s and 70s, including Sheila Hicks, Ed Rossbach, Ruth Asawa, Lenore Tawney, and Alice Kagawa Parrott, to name a few, shared an abiding interest in Andean weaving and other indigenous textile traditions of the ancient Americas. This paper addresses the origins of the awareness of these traditions and its meanings for artists working in the aesthetically maligned medium of fiber in the post-war period.
     

  • Bowl with Human Feet, Egyptian  Date: ca. 3900–3650 B.C. Polished red pottery Dimensions: diam. 13.2 x W. 13.7 x D. 9.8 cm (5 3/16 x 5 3/8 x 3 7/8 in.) Metropolitan Museum,  Rogers Fund, 1910 Accession Number: 10.176.113 (MMA)

    Stoddard Lecture 2017

    Gerhard Wolf

    Gerhard Wolf, Director of the Kunsthistorisches Institut in Florenz, Max-Planck-Institut, will deliver the 2017 Stoddard Lecture, Broken Vases, Walking Vessels: Aesthetics and Dynamics of Containment in a Transcultural Perspective (Mostly Premodern)

     

  • Difference/Distance: Picturing Race Across Oceans in the Eighteenth and Nineteenth Centuries

    ** Please see the conference website for more information. **

    Conference Schedule

    9:00-9:15 -- Welcome and Conference Introduction

    9:15-10:50 -- Panel I
    Diasporic Currents: Locating Blackness Across the Atlantic

    Krista Thompson (Northwestern University)
    The Photographic Archive, Disappearance, and the Black Heroic Figure in Colonial Jamaica

    Olubukola Gbadegesin (St. Louis University)
    The Ekphrastic Life of Sarah Forbes Bonnetta

    Darcy Grimaldo Grigsby (UC Berkeley)
    Brilliance and Blindness from Paris to New Orleans and Back: Creole Degas

    10:50-11:00 -- Break: Pastries + Coffee

    11:00–12:35pm -- Panel II
    Graphing Empire: Fixed Encounters, Moving Bodies

    Kailani Polzak (UC Berkeley)
    Varieties of Inscription: Sydney Parkinson and the Maori Moko

    Bronwen Douglas (Australia National University)
    Encounters, Graphic Representation, and the Generation of Racial Knowledge in Oceania

    Todd Olson (UC Berkeley)
    Sea-Change: Instruments, Swimming, and Race in the Early Modern Atlantic World

    12:35-2:00 -- Lunch (conference participants only)

    2:00-3:35 – Panel III
    Building Boundaries, Crossing Borders: Mixture, Metaphor, and the Racialization of Asia

    Sugata Ray (UC Berkeley)
    (Mis)Translating James Gibbs in the Indian Ocean World: Neoclassical Mosques, Subaltern Cosmopolitanisms, and the Architecture of a Muslim Modernity

    Ashley Bruckbauer (UNC Chapel Hill)
    Negotiating Race in French Images of Embassy

    Thadeus Dowad (UC Berkeley)
    “Islands in the Estranging Sea of Islam“: Ottomans, Race, and Islamic Art at the End of an Empire

    3:35-4:45 -- Concluding Remarks

     

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