Until 5:00 pm | 06/02/2018
During the Qing dynasty, the Qianlong emperor and his court engaged in a broad range of linguistic and metaphorical translations integral to their statecraft. Just as production of texts in different languages became cultural and territorial markers of the Qing imperial identity, so too did command of materials, technologies, styles and forms become signifiers of the all-encompassing history and geography of the empire. This two-day workshop brings together specialists whose work focuses on different aspects of Qing translation to explore parallels, crossovers, and distinctions between processes of literary, artistic, and technological translation. By examining the multilingual production of texts, the replication of objects in multiple mediums, and the creative adaptations of artistic forms as manifestations of a shared enterprise, this workshop aims to provide a forum for rethinking the culture and politics of the Qing imperium.
Speakers include: Brian Baumann (UC Berkeley), Patricia Berger (UC Berkeley), Wen-shing Chou, (Hunter College, CUNY), Rae Dachille (University of Arizona), Nancy Lin (UC Berkeley), Ellen Huang (Stanford University), Yuhang Li (University of Wisconsin, Madison), Mårten Söderblom Saarela (Max Planck Institute for the History of Science), Weirong Shen (Qinghua University), Jon Soriano (UC Berkeley), Sophie Volpp (UC Berkeley), Yulian Wu (Michigan State University), Yajing Zhang (Palace Museum, Beijing).
Organized by Patricia Berger (UC Berkeley), Nancy Lin (UC Berkeley) and Wen-shing Chou (Hunter College, CUNY).
Sponsored by the History of Art Department at the University of California, Berkeley.
Until 7:00 pm | 09/18/2018
What is the role of art history in the Brexit era? In the wake of the UK’s decision to leave the European Union, the history of Britain’s relationships with the rest of the world takes on renewed significance. This conference explores how art history today can shed light on the history of Britain’s interaction with other countries and cultures. Among other questions, the conference asks: How have institutions of display and education provided frameworks that have articulated and/or obscured global contexts for British art? How can the traditions of art history, including concepts of national schools, movements, modernisms, periods, originality and imitation, aesthetic judgment, and hierarchies of media be exploited and/or critiqued by scholars of British art and the global? Papers illuminate global contexts for the history of British art by considering works of art as sites and tools of international cooperation, conflict, and exchange.
This two-day, international conference is co-organized by Imogen Hart (History of Art Department, UC Berkeley) and David Peters Corbett (Courtauld Institute of Art, London). Keynote speakers: Tim Barringer (Yale University); Dorothy Price (University of Bristol); and Mary Roberts (University of Sydney). The event is co-sponsored by the Center for British Studies, the History of Art Department, and the Townsend Center for the Humanities at the University of California, Berkeley, and the Centre for American Art at the Courtauld Institute of Art.
Until 7:00 pm | 03/19/2019
Thelma K. Thomas
The Department is pleased to announce that Thelma K. Thomas, New York University Institute of Fine Arts, will be the Stoddard Lecturer in spring 2019. Please check this page again for details. (Please note that the time is tentative.)
Until 2:00 pm | 03/20/2019
Thelma K. Thomas
The Department is pleased to announce that Thelma K. Thomas, New York University Institute of Fine Arts, will present the Stoddard Seminar in spring 2019. Attendance is open to UC Berkeley History of Art Department students, faculty, staff, and invited guests. Please check this page again for more details.
Until 5:00 pm | 05/05/2018
Nuclear disasters. Acid rain. The mass extinction of animal and plant species. The devastating environmental crisis that the planet faces today has fundamentally transformed the way we perceive human interaction with the natural environment. New forms of thinking such as postcolonial ecophilosophy, actor-network theory, new materialisms, evolutionary-developmental aesthetics, and posthumanism have challenged Enlightenment distinctions between natural and human history. Can art history, a discipline primarily engaged in the study of human creativity, also breach the natural/human history binary? What would such a history of art and architecture look like? Inescapably located in deep time, the ecological is omnidirectional and rhizomatic in its scalarity. Therefore, rather than focusing on specific sites or temporal periods, the conference seeks to explore the interconnected ecologies of planetary systems and art and architecture practices across a longue durée. It aims to bring forth the genealogies, methodologies, practices, and horizons of ecologically-oriented art, architecture, and visual histories.
Sponsors: University of California Humanities Research Institute; Institute of International Studies; Department of History of Art; Institute for South Asia Studies, University of California, Berkeley.
Speakers: Lamia Balafrej (University of California, Los Angeles), Elisabeth de Bièvre (University of East Anglia), Whitney Davis (University of California, Berkeley), Natasha Eaton (University College London), Anthony Grudin (University of Vermont), Meredith Hoy (Arizona State University), Monica Juneja (Universität Heidelberg), Riad Kherdeen (University of California, Berkeley), Gregory Levine (University of California, Berkeley), Ramón De Santiago (University of California, Berkeley), Shivani Sud (University of California, Berkeley), Sugata Ray (University of California, Berkeley), Ivonne del Valle (University of California, Berkeley).
Organizers: Sugata Ray and Whitney Davis, Department of History of Art, University of California, Berkeley.
For conference program and paper abstracts see here.
Until 2:30 pm | 04/30/2018
Dr. Stephanie Schrader, Curator, Department of Drawings, J. Paul Getty Museum, Los Angeles
Stephanie Schrader will address the 23 drawings Rembrandt made late in his career after Indian paintings that were imported into Amsterdam from Dutch trading post in Surat. Rembrandt’s portraits of Mughal rulers, princes, and courtiers demonstrate how his contact with Indian art inspired him to draw in a different style on Asian paper. Schrader argues that the Mughal compositions Rembrandt copied were not merely foreign curiosities, but carried with them specific associations of empire, trade, luxury, and exceptional artifice.
A reception will follow the talk.
Speaker Bio: Stephanie Schrader is curator at the Department of Drawings at the J. Paul Getty Museum, specialising in 16th to 18th century Dutch and Flemish art. Her interest in cross cultural exchanges include exhibitions, publications, lectures and classes on artists including Jan Gossaert, Maria Sibylla Merian and Peter Paul Rubens.
Sponsors: Department of History of Art Stoddard Lecture Series, Institute for South Asia Studies, Sarah Kailath Chair of India Studies, Department of History of Art.
South Asian Art | Past, Present, Future: A Conversation between the Dhaka Art Summit founders, Nadia and Rajeeb Samdani and New York-based Artist, Chitra Ganesh
Until 7:30 pm | 04/27/2018
Panel Discussion with Nadia Samdani, Rajeeb Samdani and Chitra Ganesh
Nadia and Rajeeb Samdani are the founders of The Samdani Art Foundation, a private foundation based in Dhaka that aims to increase artistic engagement between Bangladesh and the rest of the world and produces the Dhaka Art Summit. Nadia and Rajeeb Samdani will discuss their vision for the Dhaka Art Summit, an international, non-commercial research and exhibition platform for art and architecture related to South Asia. Founded in 2012 by the Samdani Art Foundation in collaboration with the Ministry of Cultural Affairs, People’s Republic of Bangladesh, DAS is hosted every two years at the Bangladesh Shilpakala Academy. Nadia and Rajeeb Samdani were recognized as the world's Top 100 Art Collectors by ArtNet News and received the Montblanc de la Culture Arts Patronage award in 2017.
Chitra Ganesh is a visual artist based in New York. Ganesh’s work across media includes charcoal drawings, digital collages, films, web projects, photographs, and wall murals. Ganesh’s work has been widely exhibited, including at the PS 1/MOMA, Berkeley Art Museum, Fondazione Sandretto, MOCA Shanghai, and the Dhaka Art Summit. She has been named Robina Foundation Fellow for Arts and Human rights at Yale University Law School, the Estelle Lebowitz Endowed Visiting Artist, and Artist-in- Residence at New York University’s Asian/Pacific/American Studies Program.
Sponsors: The Subir and Malini Chowdhury Center for Bangladesh Studies, Institute for South Asia Studies, Department of History of Art, Department of Art Practice, South Asia Art Initiative.
Until 7:00 pm | 04/17/2018
Rolf Schneider, Professor Emeritus, Ludwig Maximilians University, Munich and Guitty Azarpay Distinguished Visiting Professor, UC Berkeley
Presented by the Guitty Azarpay Foundation and the UC Berkeley History of Art Stoddard Lecture Series.
Light refreshments will be served.
Until 7:00 pm | 04/11/2018
Annemarie Weyl Carr
University Distinguished Professor of Art History Emerita
Southern Methodist University
This event is a Stoddard Lecture Series Presentation.