News tagged Darcy Grimaldo Grigsby
The Berkeley Art Museum will be mounting an exhibition, Sojourner Truth, Photography, and the Fight Against Slavery, based on the materials used by Darcy Grimaldo Grigsby for her book, Enduring Truths: Sojourner's Shadows and Substance (University of Chicago Press, 2015). The exhibition is scheduled to run from July 27 to October 23, 2016; see the UC Berkeley press release for more information about it and a good brief review of the exhibition, "How Sojourner Truth Used Photography to Help End Slavery" is at Smithsonian.com; it's included in the August 12th KQED The Do List (starting at 3:04).
Darcy Grimaldo Grigsby's new book, Enduring Truths: Sojourner's Shadow and Substance (U. Chicago Press, 2015) has hit the bookstores! Professor Grigsby was interviewed recently for an article that appears in today's New York Times. The Department is pleased and honored to note that Professor Grigsby's collection of Sojourner Truth and Civil War photographs and ephemera will be featured in an exhibition at the Berkeley Art Museum next summer.
In 1996, the late Richard and Rhoda Goldman provided generous funding for five Distinguished Professorships in the College of Letters and Science, establishing an endowed chair in each of the College’s divisions. The Professorship is awarded for excellence in scholarship and commitment to the University’s teaching mission. The Department of History of Art is very pleased to announce that Darcy Grimaldo Grigsby has been named as the Goldman Distinguished Professor in the Division of Arts and Humanities, 2015-2020.
Body and Empire: A Conversation
Darcy Grimaldo Grigsby
Still Thinking about Olympia’s Maid
Opening with Manet’s voyage to Brazil after the second French abolition of slavery, this talk focuses on the too often overlooked black woman in Manet’s Olympia (1863) and the model Laure who posed for this painting and others. Manet’s painting stages a creole scene that makes visible France’s long reliance on slavery, but also its Revolutionary redefinition of all blacks as paid workers after the second abolition of slavery in 1848. How does thinking about the entry of blacks, specifically black women, into France’s economy of wage labor differently illuminate Manet’s painting?
Of the "Effeminate" Buddha and the Making of an Indian Art History
Internalizing colonial accusations of the “effeminacy” of the native male body, nineteenth-century Indian ideologues and reformers attempted to redeem the national body through a range of phallocentric body cultures. Anti-colonial art history, however, deliberately appropriated colonizing discourses of the effeminate native body to epistemologically challenge the hegemonic hyper-masculinity advocated by both the regulatory mechanisms of the British Empire and a larger nationalist body culture in colonial India. The ingenious invention of a discursive intimacy between yoga and an aesthetics of demasculinization led to the strategic resignification of the male body in early Indian sculpture as both a sign and the site of an imagined national life. Through a close analysis of art writing and photography, art pedagogy and colonial archaeology, visual practices and sartorial cultures, my talk will delineate the fin-de-siècle politics and aesthetics of demasculinization that had led to the establishment of anti-colonial Indian art history’s disciplinary and methodological concerns.
Kunstgeschichte und ästhetische Praktiken
An Initiative of the Kunsthistorisches Institut Florenz, Max-Planck-Institut at the Forum Transregionale Studien, BerlinWallotstraße 14, 14193 Berlin
The 2014-15 academic year is off to a strong start with the offering of many new courses. Among them is Professor Darcy Grimaldo Grigsby and Professor Lisa Trever's joint seminar in The Bancroft Library: Photography, Archaeology, and Maya Ruins: The Frenchman Desiré Charnay in Mexico. Here, Grigsby and students examine and describe Charnay's 1859 double plate photograph from the site of Mitla (Oaxaca). Photograph by Lisa Trever.
Congratulations to Darcy Grimaldo Grigsby, a 2013 recipient of the Distinguished Teaching Award. The Distinguished Teaching Award is the campus's most prestigious honor for teaching.
Congratulations to Professor Darcy Grimaldo Grigsby on the publication of her new book, Colossal: Engineering Modernity - Suez Canal, Statue of Liberty, Eiffel Tower, and Panama Canal, by Periscope Press.